Walt Flakus of Stabbing Westward joins us to discuss how tragedy and lifelong friendship lead to the band reuniting and how the recording of Chasing Ghost not only got the band back together, it reunited the entire team from their early records.

Blending the scathing electronics of underground industrial/rock with the emotive melodies of goth and a decidedly radio-friendly sensibility, Stabbing Westward rose to great heights in the mid-‘90s alternative boom. Formed in 1986 by Walter Flakus and Christopher Hall, the band went from underground cult sensation to the heights of critical and commercial success thanks to such songs as “Shame,” “Save Yourself,” “So Far Away”and “What Do I Have to Do?”. To this day, these songs remain anthems of heartache, dejection, rage, betrayal and depression.With two Gold albums and numerous hit singles, Stabbing Westward fell from grace with the 2001 self-titled album amid personal and professional turmoil, disbanding the following year and leaving a void in modern music that was somewhat filled by Hall’s later work in The Dreaming. However, it was the release of that band’s Rise Again in 2015 that the seeds were sown for a reunion. That album saw Flakus once again making music with Hall, with StabbingWestward guitarist Mark Eliopulos joining TheDreaming onstage in Chicago for a set of past hits.In 2019, Hall and Flakus came together again to release the Dead And Gone EP, the first new Stabbing Westward material in 18 years. Written and produced by Flakus and Hall over the course of three years,and recorded in multiple states and time zones, these new songs capture the very essence of the Stabbing Westward sound. Adding longtime bandmate Carlton Bost (Orgy, Deadsy, The Dreaming) and new drummer Bobby Amaro(Orgy) to the official lineup, the band has also once again recruited the talent of producer John Fryer—instrumental on early albums “Ungod” and “Wither BlisterBurn +Peel”—for a new album, Chasing Ghosts to be released in early 2022 through a new partnership with COP International.

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